how do you
brake
the news
to a child
that their only parent
is gone
?
here's one way
:
letting her
estranged villagefolk
who came to take her home
break
the news
at the schoolgate instead
.
because nobody prepared you to face
her
breaking voice
,
her
breaking down
,
as she tries to remain standing
in spite of her wobbly knees
;
as she struggles afloat though
her vision is drowning in tears
;
bothered breathing
,
sobbing and suffocating
;
and you watch
jaw dropped
hands shaking
mind numbed
because nothing prepared you for this
.
holding this
trembling soul
shaken and stirred
by the twists of fate
of having lost
her sole supporter
?
trying to
unbreak
herself
in her state of mind
of worrying about every single thing
of unpredictable uncertainties
---
then you start to realise
that she is no more prepared
than you are
.
nothing
prepared
me
for this
.
how do i
break
the news
to a child
that their only parent
is gone
?
---
written: 13/4/13
last edited: 3/12/13
Showing posts with label sadness. Show all posts
Showing posts with label sadness. Show all posts
38: fragile
hearts are such fragile things.
once broken, they're not easy to fix.
once shattered, they're not easy to pick.
sure, you can try to
glue the pieces back together,
tape the cracks to mend them better,
stitch the chunks to make them gather;
and if you succeed,
you should end up with a
(swollen, glued, taped and stitched up) heart
which
if you look closely,
real closely,
will still beat
albeit ever so slowly.
of course, that's if you can look past
the brown-stained glue, tape and stitches and
the crimson droplets slowly oozing out
of the gaps between them.
hearts are such fragile things, after all.
so won't you handle them with care?
once broken, they're not easy to fix.
once shattered, they're not easy to pick.
sure, you can try to
glue the pieces back together,
tape the cracks to mend them better,
stitch the chunks to make them gather;
and if you succeed,
you should end up with a
(swollen, glued, taped and stitched up) heart
which
if you look closely,
real closely,
will still beat
albeit ever so slowly.
of course, that's if you can look past
the brown-stained glue, tape and stitches and
the crimson droplets slowly oozing out
of the gaps between them.
hearts are such fragile things, after all.
so won't you handle them with care?
37: bloody vengeance
let's just move on and pretend
that everything that happened didn't happen,
because i do not fully understand
(and you can't possibly comprehend)
why these old scars have reopened,
but they hurt like fucking vengeance.
28: Only sometimes
No, I don't love you
the way I did before. Still,
I miss you sometimes.
the way I did before. Still,
I miss you sometimes.
Written sometime in mid-April 2012.
27: Unsound (Public Transport People #2)
i can't remember how it started, but
the lady next to me told me that
the lady next to her told her that
she didn't know when to get off.
she was simply told
to get on at kl sentral,
then get off at senawang.
it was her first time on a komuter.
white-haired, deaf, and illiterate,
she only had a bag of clothes
and a torn paper with a scribbled number
without a phone to call it with.
it was her first time on a komuter.
as her petite frame shrinked further into her seat
and her tired, weary eyes repeatedly searched the carriage
perhaps for a familiar face,
perhaps for some kind of miracle,
in the end, the only thing she could do
was wait until she stops at a train station
that she couldn't even read the name of.
last updated: 2016-01-31 7.10pm
---
everytime i think of this old lady, my heart breaks.
---
as i boarded the ktm
the lady next to me told me that
the lady next to her told her that
she wasn't sure where to stop.
she was simply told to
get on at kl sentral, and
get off at senawang,
on a komuter train -- her first time in her life -- without anyone to accompany her.
it seems incomprehensible to me that
she can't hear or say much
(she's quite deaf, you see),
and she can't read much,
(she's quite illiterate, you see),
and she doesn't have a phone
(because let's be realistic here -- it's not like she can hear or talk or read anything on a phone),
and yet here she is,
this teary-eyed white-haired woman in her 70's,
sitting in a moving train she has never been on,
not knowing how to read a route map
(or even how to tell the time),
and frightened and alone and overwhelmed that
she is a deaf and illiterate woman in her 70's
without a definite means to say "I'm here!" to,
and the only thing she could do
was wait for someone to get her when she stops at a station
that she can't even read the name of.
=============
i can't remember how it started, but
the lady next to me told me that
the lady next to her told her that
she wasn't sure where to stop.
she was simply told
(by the son and daughter) to
get on at kl sentral, and
get off at senawang,
on a ktm komuter -- for her first time in her life -- without anyone to accompany her.
it seems incomprehensible to me that
she can't hear or say much
(she's quite deaf, you see),
and she can't read much
(she's quite illiterate, you see),
and she doesn't have a phone
(because COME ON -- it's not like she can hear or talk or read anything on a phone),
and yet here she is,
this teary-eyed white-haired woman in her 70's,
sitting in a moving train she has never been on,
not knowing how to read a route map
(or where 'senawang' even is)
and frightened and alone and overwhelmed because
she is a deaf and illiterate woman in her 70's
who could only wait for someone to get her when she stops at a station
that she can't even read the name of.
8.24pm
---
i can't remember how it started, but
the lady next to me told me that
the lady next to her told her that
she wasn't sure where to stop.
she was simply told
(by her son and daughter) to
get on at kl sentral, and
get off at senawang,
on a ktm komuter -- for the first time in her life -- without anyone to assist her.
it seems incomprehensible to me that
she can't hear or say much
(she's quite deaf, you see),
and she can't read much
(she's quite illiterate, you see),
and she doesn't have a phone
(because LET'S BE REALISTIC -- it's not like she can hear or talk or read anything on a phone),
and yet here she is,
this teary-eyed white-haired woman in her 70's,
sitting in a moving train she has never been on,
without a clue of how to read a route map, and
without any way of saying (to whoever is picking her up) "I'm here!".
sitting next to strangers
who can barely understand her, and
trying to hold back feelings of sadness, fear,
loneliness and how overwhelmed she was
as a deaf and illiterate woman in her 70's
sitting in a moving train with no familiar faces around her
and the only she could do,
was wait for someone to get her when she stops at a train station
that she can't even read the name of.
---
i can't remember how it started, but
the lady next to me told me that
the lady next to her told her that
she wasn't sure where to stop.
she was simply told
(by her son and daughter) to
get on at kl sentral, then
get off at senawang
on a ktm komuter (for the first time in her life -- and without any assistance).
it seems incomprehensible to me that
she can't hear or say much
(she's quite deaf, you see),
and she can't read much
(she's quite illiterate, you see),
and she doesn't have a phone
(because LET'S BE REALISTIC -- it's not like she can hear or talk or read anything on a phone),
and yet here she is, this
white-haired woman in her 70's,
sitting in a vehicle she has never been on,
without a clue of how to read a route map, and
without any way of saying (to whoever was going to pick her up) "I'm here!".
sitting next to those who can
barely understand what she utters,
her watery eyes, reflecting
her fear of uncertainty and abandonment,
look around at the unfamiliar faces
with hope but in vain
because the only thing she could do
was wait for someone to get her when she stops at a train station
that she can't even read the name of.
---
8: The fallen trees
The chainsaw rumbles
as trees come tumbling down;
A part of me dies.
as trees come tumbling down;
A part of me dies.
Translation
Gergaji mengaum
apabila pokok menyembah bumi;
Sebahagian diriku mati
I don't like the constructions going on my campus right now. It makes me sad seeing the trees get chopped off and the general green areas get levelled, some lecture rooms getting destroyed, all these walkways being closed off... All this 'modernisation'... do we really need it? I mean, I like technology and all, but living in a concrete jungle all the time - it can't possibly be good for the mind, body and soul can it?
I miss walking around Canterbury University... now that's the closest place to heaven(ly campus) on earth.
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